I don't like going over old posts; blogging is like having a big old 'dump' and you certainly wouldn't go through that to check what came out?
Today we took a family day out to somewhere down in the South East. As usual I came running out in a panic eating my cheesy marmite toast, then we were ten minutes early for the bus, hopping to keep warm. As usual I was unprepared for the sudden drop in temperature, lulled into a false sense of security by the crappy winter so far. As usual I got all stressed about nothing.
As a writing exercise, I jotted down my observations from the train; I shall endeavour to make sense of them. Or not.
A pale owl, swiveling and blinking next to the track, his branch level with our upper deck window; and out through the polders a juvenile bulldog being restrained from chasing ducks. The sun behind the clouds like a paracetamol, fanning rays over a windmill and skeins of low flying geese. Lines of water shining like pewter as four massive turbines shifted in and out of sequence. Two pheasants drinking, the whole area is criss crossed by waterways; bubbles and rippling circles of unseen diving things by the small station of glass and concrete. Slow motion pulling away, graffiti of vomiting technicolour clowns gives way to stacked up shipping containers like carelessly discarded toys. Two passengers who just sat down are talking as loudly as possible without shouting. They have monotonous voices and banal conversation which even cuts across the Nine Inch Nails remix on my iPod, so I keep surreptitiously nudging my volume up. I don't need a book, my hungry eyes eat up the miles outside. More graffiti; 'Kontkorst' (roughly translated 'arse crust' ) then abruptly wide fields, ten to twelve swans converging on a confluence. Picking up speed again, I realise it is getting more and more cloudy/hazy and that the whole country is a gigantic construction site. Everywhere you can see the debris of new train lines, new roads and houses. Cheek by jowl and completely haphazardly, the rubble and newness, the old farms and new estates, tiny horses and massive chickens, fields and towns. More graffiti- 'Atlis Gizpot' 'WishMelo' it's getting more artistic too, and trees (real trees!) are becoming more apparent. Klimtian beech forests, buzzards and kestrels (a sure sign of healthy food chain?) even 2 cranes flapping off in ungainly panic. In the train, on the top floor, we are higher than the houses, then lower than the land, never out of sight of water of some kind. It's endlessly fascinating to me, like a film that is never the same no matter how many times you watch it. I am not writing this with any goal in mind, just wanted to set it down while the feeling of moving through a landscape was still in my mind; the green and grey of it, all the chaotic contrasts.
Today we took a family day out to somewhere down in the South East. As usual I came running out in a panic eating my cheesy marmite toast, then we were ten minutes early for the bus, hopping to keep warm. As usual I was unprepared for the sudden drop in temperature, lulled into a false sense of security by the crappy winter so far. As usual I got all stressed about nothing.
As a writing exercise, I jotted down my observations from the train; I shall endeavour to make sense of them. Or not.
A pale owl, swiveling and blinking next to the track, his branch level with our upper deck window; and out through the polders a juvenile bulldog being restrained from chasing ducks. The sun behind the clouds like a paracetamol, fanning rays over a windmill and skeins of low flying geese. Lines of water shining like pewter as four massive turbines shifted in and out of sequence. Two pheasants drinking, the whole area is criss crossed by waterways; bubbles and rippling circles of unseen diving things by the small station of glass and concrete. Slow motion pulling away, graffiti of vomiting technicolour clowns gives way to stacked up shipping containers like carelessly discarded toys. Two passengers who just sat down are talking as loudly as possible without shouting. They have monotonous voices and banal conversation which even cuts across the Nine Inch Nails remix on my iPod, so I keep surreptitiously nudging my volume up. I don't need a book, my hungry eyes eat up the miles outside. More graffiti; 'Kontkorst' (roughly translated 'arse crust' ) then abruptly wide fields, ten to twelve swans converging on a confluence. Picking up speed again, I realise it is getting more and more cloudy/hazy and that the whole country is a gigantic construction site. Everywhere you can see the debris of new train lines, new roads and houses. Cheek by jowl and completely haphazardly, the rubble and newness, the old farms and new estates, tiny horses and massive chickens, fields and towns. More graffiti- 'Atlis Gizpot' 'WishMelo' it's getting more artistic too, and trees (real trees!) are becoming more apparent. Klimtian beech forests, buzzards and kestrels (a sure sign of healthy food chain?) even 2 cranes flapping off in ungainly panic. In the train, on the top floor, we are higher than the houses, then lower than the land, never out of sight of water of some kind. It's endlessly fascinating to me, like a film that is never the same no matter how many times you watch it. I am not writing this with any goal in mind, just wanted to set it down while the feeling of moving through a landscape was still in my mind; the green and grey of it, all the chaotic contrasts.